Star wars resistance reborn5/31/2023 “The Phantom Menace” takes place more than 30 years before this battle. Many “Star Wars” diehards mark the passage of time in the galaxy by the Battle of Yavin, the fateful fight in “A New Hope” in which the first iteration of the Death Star is destroyed. Omitted from this timeline are anthology series like “Star Wars Visions.” These details are pulled from the official “Star Wars” resources “Ultimate Star Wars” and “Star Wars Character Encyclopedia,” as well as experts from outlets like USA Today and the AV Club. Worry not, padawans: CNN has laid out a comprehensive timeline of the “ Star Wars” canon so you can follow all of the franchise’s time-jumps without getting lost in space. “Andor” is a prequel to “Rogue One,” itself a prequel to “A New Hope.” And the forthcoming Disney+ series “The Acolyte” takes place hundreds of years before the Skywalker saga. “The Mandalorian” is set between the original film trilogy and the latest sequels. The problem? All the stories take place at different points of time in the galaxy far, far away. “ Star Wars” fans have much to look forward to in terms of new content.
0 Comments
Tade thompson rosewater trilogy5/31/2023 As human bodies and minds become more thoroughly enmeshed in the bionetworks, surveillance, data collection, augmented realities, cyborg hybridizations, and genetic transformations wrought by the aliens, the global masses all become subject to imperial desire and power. At the same time, the biotechnological instruments of this new alien invasion signal a deepened and expanded colonization, one that takes place at the scale of both the planetary and the cellular, and that threatens to ensnare and enslave the entire human population within the machinations of Empire. Abstract : In its depiction of alien invaders colonizing human bodies in Nigeria, Tade Thompson's Wormwood Trilogy (2016-2019) at one level enacts a second contact narrative that recapitulates Africa's history with European imperialism and slavery. But this deeply unflattering characterization is rooted in the prejudiced and brilliantly persuasive opinions of eighteenth-century revolutionaries like Thomas Paine and Thomas Jefferson, who needed to make the king appear evil in order to achieve their own political aims. The best-known modern interpretation of him is Jonathan Groff's preening, spitting, and pompous take in Hamilton, Lin-Manuel Miranda's Broadway masterpiece. Most Americans dismiss George III as a buffoon-a heartless and terrible monarch with few, if any, redeeming qualities. The truth is much more nuanced and fascinating-and will completely change the way readers and historians view his reign and legacy. The last king of America, George III, has been ridiculed as a complete disaster who frittered away the colonies and went mad in his old age. From the New York Times bestselling author of Churchill and Napoleon |